
Creative process
Every design begins with a story — art, architecture, music, the sea. Sketches become swatches, swatches become silhouettes.
I'm a fashion designer with two years of hands-on experience turning fabric into stories — sometimes stitched, sometimes digitised, sometimes dotted one drop of paint at a time.
My work blends creative design with technical precision: surface embroidery like zardozi and aari, digital sketching in Illustrator, Photoshop and CLO 3D, and a growing love for slow, sustainable processes.
Away from the cutting table I paint dot mandalas and devotional art — Krishna, Ganesha, Durga — thousands of hand-placed dots on wood, glass and fabric. Each piece is made slowly, the way I believe good design should be: effortless to look at, with a lot of thread, ctrl+z and coffee behind it.
Still learning, always designing — one stitch (or dot) at a time.

“The silhouette begins in silence, where imagination meets the whisper of fabric.”

Every design begins with a story — art, architecture, music, the sea. Sketches become swatches, swatches become silhouettes.

Responsibly sourced fabrics, archival papers and paints chosen to last, so every piece ages beautifully.

Hand-stitched details, hand-placed dots, meticulous finishing. No two pieces are ever quite the same.